2019新加坡精品推薦：灰陶灶臺(tái)
陜西嘉輝藝術(shù)品拍賣有限公司【藏.薦】欄 為藏品強(qiáng)大的傳播效應(yīng)向各位買家推薦經(jīng)一級(jí)鑒定專家甄選的藝術(shù)珍品，為藏家牽線搭橋，讓藝術(shù)珍品價(jià)值被發(fā)掘與重視，在拍賣會(huì)上得以高價(jià)成交。
【名稱】 灰陶灶臺(tái)
【規(guī)格】 重量：2100g；尺寸：103.87mm
【類別】 雜項(xiàng)
藏品為灰陶灶臺(tái)，漢代用泥土為坯胎、經(jīng)入窯燒制的器物。主要是各種飲食器、貯藏器等容器，也包括其他生活用具，以及專為隨葬而制作的冥器。因年代和地區(qū)的差異，器物的種類形態(tài)、制法、紋飾及燒成溫度等都有所不同。大體上可分灰陶、硬陶、釉陶和青瓷 4大類。
漢代陶塑既是中國古代陶器工藝發(fā)展的結(jié)晶，又是處于中國封建社會(huì)上升時(shí)期大氣磅礴的漢代文化的產(chǎn)物。漢代陶塑由于扎根于現(xiàn)實(shí)主義土壤之中，注重反映社會(huì)生活，同時(shí)在藝術(shù)風(fēng)格上追求簡(jiǎn)樸古拙、雄渾豪放而又充滿活力的藝術(shù)格調(diào)，使得它不僅在陶器工藝發(fā)展的長河中，而且在中國整個(gè)藝術(shù)發(fā)展的洪流中，都閃爍著不朽的光輝。它既為后人研究漢代社會(huì)生活提供了豐富而真實(shí)的形象資料，又為中國傳統(tǒng)雕塑、繪畫和其他工藝的發(fā)展，開辟了無限廣闊的道路。從這個(gè)意義上說，漢代陶塑不愧為中國古代藝術(shù)的瑰寶。
漢代是中國陶瓷歷史上的一個(gè)重要轉(zhuǎn)折點(diǎn)。所制器物的表面被廣泛施釉，有學(xué)者認(rèn)為是受羅馬及歐洲人制造琉璃技術(shù)的影響，國為當(dāng)時(shí)的人們與上述地區(qū)有著密切的貿(mào)易往來。漢代人重視墓葬，成為習(xí)俗，殉葬品力求豐富而精細(xì)，被稱為"明器"，它與祭器之別在于它是專門供死者在陰間所用而非為生者用具。 陪葬品中除少量石質(zhì)品、金屬制品、木質(zhì)漆器以外，被大量使用的為陶制品，因?yàn)檫@種材質(zhì)可歷千年而不腐敗。除飲食所用的器皿外，大量摹擬生活場(chǎng)景，加以縮微，如陶制的樓閣、倉房、灶臺(tái)、獸圈、車馬、井臺(tái)、奴仆等等，營造虛幻環(huán)境供死者享用。 明器當(dāng)中的壺、尊、盆、罐之類器皿，一般都在素坯之外敷設(shè)一層粉彩，并不與胎體相融，稍摩擦便脫落;小型生活場(chǎng)景模型，外表都施加綠色低溫鉛釉，這種鉛釉有毒性已被當(dāng)時(shí)人們所知曉，所以在日常生活用品中并不使用。對(duì)陵墓的重視，使這一時(shí)期出現(xiàn)了一種特殊建材 "壙磚"。"壙"就是指墓穴，壙磚體積較大，內(nèi)部為空心，外表飾有圖案，可連續(xù)排列，也可獨(dú)立成為畫面。磚面圖案是模具拓印而成的，這是后世陶瓷器表面印花工藝的雛形。
The collection is a gray pottery stove, and the Han Dynasty used mud as a blank tire and fired into a kiln. It is mainly a variety of food containers, storage devices and other containers, as well as other living utensils, as well as devices specially made for burial. Due to differences in age and region, the types of artifacts, patterns, patterns, and firing temperatures are all different. In general, it can be divided into four categories: gray pottery, hard pottery, glazed pottery and celadon.
The pottery sculpture of the Han Dynasty is not only the crystallization of the development of ancient Chinese pottery, but also the product of the magnificent Han culture during the rise of Chinese feudal society. Due to its roots in the realistic soil, the Han Dynasty pottery sculpture pays attention to reflecting social life, and at the same time pursues a simple, ancient, bold and energetic artistic style in the artistic style, making it not only in the long river of pottery technology development. And in the flood of Chinese art development, there is an immortal glow. It not only provides rich and true image materials for future generations to study the social life of the Han Dynasty, but also opens up an infinite road for the development of traditional Chinese sculpture, painting and other techniques. In this sense, the pottery sculpture of the Han Dynasty is worthy of the treasures of ancient Chinese art.
TThe Han Dynasty was an important turning point in the history of Chinese ceramics. The surface of the artifacts was widely glazed. Some scholars believe that it was influenced by Roman and European glass manufacturing technologies. At that time, people in the country had close trade relations with the above regions. The Han Dynasty attached importance to tombs and became a custom. The burial objects sought to be rich and refined. They were called "bright objects." The difference between it and the rituals was that it was dedicated to the dead for use in the underworld rather than for the living. In addition to a small amount of stone products, metal products, and wooden lacquer Ware, pottery products are used in large quantities because this material can be used for thousands of years without corruption. In addition to the utensils used in the diet, a large number of life scenes are copied and miniaturized, such as pottery pavilions, warehouses, stoves, beasts, horses, Wells, servants, etc., to create an illusory environment for the deceased to enjoy. The pots, statues, pots, pots, and other utensils in the brightener are generally laid with a layer of pastel outside the blank, and they do not melt with the fetal body, and they fall off with slight friction; The small life scene model, the appearance of green low-temperature lead glaze, this lead glaze has been known at the time, so it is not used in daily necessities. The attention to the mausoleum has led to the emergence of a special building material "brick" during this period. "<UNK>" refers to the tomb, which has a large volume, a hollow interior, and a pattern on the outside. It can be arranged continuously or it can become an independent picture. The pattern of brick surface is made of mold, which is the prototype of the surface printing process of later pottery.
