陳鐵珊（1733-1799）清代畫(huà)家。號(hào)兩峰，又號(hào)衣云、別號(hào)花之寺、金牛山人、 洲漁父、師蓮老人。祖籍安徽歙縣，后為江蘇甘泉（今揚(yáng)州）人。在揚(yáng)州自稱住處謂“朱草詩(shī)林”。為金農(nóng)入室弟子，未作官，好游歷。畫(huà)人物、佛像、山水、花果、梅、蘭、竹等，無(wú)所不工。筆調(diào)奇創(chuàng)，超逸不群，別具一格。為“揚(yáng)州八怪”之一。他又善畫(huà)《鬼趣圖》，描寫(xiě)形形色色的丑惡鬼態(tài)，無(wú)不極盡其妙，借以諷刺當(dāng)時(shí)社會(huì)的丑態(tài)。亦善刻印，著有《廣印人傳》。金農(nóng)死后，他搜羅遺稿，出資刻版，使金農(nóng)的著作得以傳于后世。其代表作有：《物外風(fēng)標(biāo)圖》（冊(cè)頁(yè)）、《兩峰蓑笠圖》、《丹桂秋高圖》、《成陰障日?qǐng)D》、《 谷清吟圖》、《畫(huà)竹有聲圖》等。著有《香葉草堂集》。其山水繪畫(huà)崇古摹擬而不拘一格，融南、北二宗為一體，畫(huà)名滿天下，被譽(yù)為“畫(huà)圣”。
這位畫(huà)家是很早就出名了，他主要講究是要師古人心，但不師古人法，所以在繪畫(huà)上他強(qiáng)調(diào)的是自己要用自己的語(yǔ)言表現(xiàn)繪畫(huà)，他散筆皴法就能說(shuō)明，是他和別人與之不同的技法。這幅虎嘯圖是陳鐵珊晚年作，他用筆既不像元人也不像宋人，不是斧劈皴也不是解鎖皴，他是用散筆皴法，采用寫(xiě)實(shí)主義，惟妙惟肖的展現(xiàn)了老虎的本性，生動(dòng)形象，步伐矯健，猶然紙上。遠(yuǎn)處蒼山飛瀑映襯，近處松柏青竹掩映，立體感十足。佇立畫(huà)前，仿佛置身其中，實(shí)乃神來(lái)之筆，從表面上看這個(gè)作品很有內(nèi)涵，作品的特點(diǎn)在精微處能表現(xiàn)得淋漓盡致，感覺(jué)整個(gè)畫(huà)面典雅，顏色色彩都淡雅。近幾年來(lái)陳鐵珊畫(huà)家的藏品備受藏家喜好，具有很高的藝術(shù)價(jià)值和收藏價(jià)值，有巨大的投資價(jià)值及收藏價(jià)值如需收藏購(gòu)買此藏品請(qǐng)與我聯(lián)系。
經(jīng)紀(jì)人:楊小姐13066376633！
此藏品參加2020年迪拜春拍！暫定拍賣時(shí)間于5月份?。?！
Chen Tieshan (1733-1799), painter of Qing Dynasty. No. 2 peak, No. 1 Yiyun, No. 2 Huazhi temple, Jinniu Mountain Man, Zhou Yufu, Shilian old man. His ancestral home is Shexian County, Anhui Province. Later, he was born in Ganquan, Jiangsu Province (now Yangzhou). In Yangzhou, he called himself "Zhu Cao Shi Lin". He is a disciple of Jinnong. He is not an official. He is good at traveling. Painting figures, Buddha statues, landscapes, flowers and fruits, plum, orchids, bamboos, and so on, all without exception. The style is unique and unique. It is one of the "eight monsters of Yangzhou". He is also good at painting "ghost interest map" to describe all kinds of ugly ghosts, all of which are extremely wonderful, in order to satirize the ugly society at that time. He is also good at engraving and is the author of biography of Guangyin people. After Jinnong's death, he collected the remains and contributed to the engraving, so that Jinnong's works could be passed on to later generations. His representative works include: the wind signs outside the objects (Album), the two peaks and the bamboo hat, the autumn height of Dangui, the sun of Chengyin barrier, the valley chanting, the painting of bamboo with sound, etc. He is the author of "Xiangye Caotang collection". His landscape paintings advocate ancient imitation without any restriction, and integrate the two schools of South and North. His paintings are famous all over the world and are known as "painting saints".
This painter is famous for a long time. He mainly stresses that he should learn from the ancient people's mind, but not from the ancient people's method. So in painting, he emphasizes that he should use his own language to express the painting, and his texturing method can show that it is his different technique from others. This picture of tiger roaring is made by Chen Tieshan in his later years. He does not use the pen like the people of Yuan Dynasty or Song Dynasty. He does not use the axe to crack or unlock the chaps. He uses the scattered pen to crack and uses realism to vividly show the tiger's nature, vivid image, vigorous pace, still on the paper. In the distance, Cangshan waterfall sets off, and the pine, cypress and green bamboo set off nearby, which is full of three-dimensional feeling. Standing in front of the painting, I feel as if I'm in it. It's really a masterpiece. On the surface, the work has a lot of connotation. The characteristics of the work can be expressed incisively and vividly in the subtle place. I feel that the whole picture is elegant and the color is elegant. In recent years, the collection of Chen Tieshan's painters has been liked by collectors. It has high artistic value and collection value. It has great investment value and collection value. If you need to collect and purchase this collection, please contact me.
Agent: Miss Yang 13066376633！
this collection to participate in the 2020 dubai spring shoot! tentative auction time in may! !!
