云南盛世九州藝術品有限責任公司
云南盛世九州藝術品有限責任公司--保利云南唯一指定征集推薦合作單位，是一家以藝術品展覽、展銷、鑒定、評估、拍賣、國內貿易等業務為推廣的國際文化藝術品交流中心，也是中國國學院大學授權成立的文化藝術品研究所。 公司聯合中國國學院大學，開創藝術品＋金融投資體系，借力資本市場，整合各界資源，實現資本與藝術品的有效對接，積極推動國內藝術品行業與國際藝術品市場接軌，打造以云南為核心的大型藝術品交易平臺。
【名稱】 觀音造像
【拍賣時間】2020年
【拍賣單位】北京瀚古國際拍賣
【規格】 高：72cm 底徑：17.3cm
【類別】雜項
觀世音菩薩(梵文:，Avalokite?vara)，觀世音來自于竺法護與其弟子譯于長安敦煌寺的 《正法華經》。竺法護初譯"光世音" 其弟子聶道真改為"觀世音"。 玄奘新譯為觀自在，中國每略稱為觀音。
觀世音菩薩是佛教中慈悲和智慧的象征，無論在大乘佛教還是在民間信仰，都具有極其重要的地位。以觀世音菩薩為主導的大慈悲精神，被視為大乘佛教的根本。佛經上說，觀世音是過去的正法明如來所現化，他在無量國土中，以菩薩之身到處尋聲救苦。觀世音與阿彌陀佛有著特殊的關系。他是西方三圣中的一尊， 也是一生補處的法身大士，是繼承阿彌陀佛位的菩薩，而且還有說觀世音就是阿彌陀佛的化身。
大清康熙年制描金觀世音菩薩老佛像，法相端莊，面部慈祥，佛音裊裊，老包漿，工藝精美，實屬罕見的藝術瑰寶。身上披一風巾，面容清秀，五官秀美細膩，廣額彎眉，豐腴端莊。表情安然慈祥。鳳眼微啟，雙眼低垂，唇角深凹，微微上翹，浮現出一絲若隱若現的笑意，顯得妙麗莊嚴。手持凈瓶，，姿態優雅，高貴優雅，臺座高大，顯得亭亭玉立。
佛像收藏升溫的另一個重要原因是其無與倫比的藝術價值，佛像絢麗的紋飾、優美的造型、慈祥的面容、四射的魅力，在給人們藝術享受的同時，還能“撫慰人的心靈”，這是其他藝術品所不能代替的。佛教藝術品本身所蘊涵的宗教神秘感、歷史性、民族性迎合了收藏愛好者和投資人士日益提高的審美品位。佛教藝術品傳遞吉祥，以造像藝術之美傳遞佛教文化的莊圣善美，以祈福文化對應受眾內心深處的渴望與需求，各類受眾群體能從眾多的佛教藝術品中找到相對適合自己的藏品，從而激發他們的收藏愿望。
Yunnan Shengshi Kyushu Art Co. LTD
Yunnan Shengshi Jiuzhou artworks Co. Ltd. - poly Yunnan is the only one designated to solicit and recommend cooperation unit. It is an international cultural art exchange center promoting art exhibition, exhibition, appraisal, evaluation, auction, domestic trade and other businesses. It is also a cultural art research institute authorized by the University of China National University. The company, together with the University of the United Nations College of China, has created an art + financial investment system, utilized the capital market, integrated resources from all walks of life, realized the effective connection between capital and artworks, actively promoted the integration of domestic art industry and international art market, and built a large-scale art trading platform with Yunnan as the core.
[Name] Avalokitesvara statue
[Specification] Height: 72cm Bottom diameter: 17.3cm
[Category] Miscellaneous
Guan Yin: , Avalokite Vara, avalokitesvara is from the Lotus Sutra translated by Dharmarak?a and his disciples at Dunhuang temple in Chang 'an. Zhu fahu Chu translated "guangshiyin" and his disciple Nie Daozhen changed it to GuanShiYin. Xuanzang's new translation is Guanzi, which is called Guanyin in China.
Avalokitesvara is a symbol of compassion and wisdom in Buddhism. It plays an important role in Mahayana Buddhism and folk belief. The spirit of great compassion led by the Bodhisattva Avalokitesvara is regarded as the foundation of Mahayana Buddhism. According to the Buddhist scriptures, Avalokitesvara is a manifestation of the past positive Dharma and the Buddha. In the boundless land, he searched everywhere for sound to save suffering. Guanyin has a special relationship with Amitabha. He is one of the three sages in the West. He is also a Dharma Master who mends the place of Amitabha all his life. He is a Bodhisattva who inherits the position of Amitabha. Moreover, it is said that Guanyin is the embodiment of Amitabha.
In the reign of Emperor Kangxi of Qing Dynasty, the old statue of GuanShiYin Bodhisattva was made in the reign of Emperor Kangxi of the Qing Dynasty. It is a rare art treasure with solemn Dharma, benevolent face, curly Buddha sound and old Baojiang. Wearing a wind towel, his face is delicate and delicate, his forehead is wide and his eyebrows are curved, plump and dignified. The expression is safe and kind. Phoenix eyes slightly open, eyes droop, lips deep concave, slightly up warped, emerged a glimmer of faint smile, beautiful and solemn. Holding a clean bottle, elegant posture, noble and elegant, the pedestal is tall and slim.
Another important reason for the rise in the collection of Buddhist statues is its unparalleled artistic value. The gorgeous ornamentation, beautiful shape, kind face and radiant charm of Buddha statues can not only give people artistic enjoyment, but also "comfort people's hearts", which can not be replaced by other works of art. The religious mystery, historicity and nationality contained in Buddhist artworks cater to the increasing aesthetic taste of collectors and investors. Buddhist art works convey auspiciousness, the beauty of statue art conveys the Zhuang Sheng Shan beauty of Buddhist culture, and the praying culture corresponds to the deep desire and demand of the audience. All kinds of audience groups can find their own collections from the numerous Buddhist artworks, thus stimulating their desire for collection.
