元青花在以青瓷和白瓷單色釉為主流的中國(guó)宋瓷基礎(chǔ)上，推陳出新地研制出以藍(lán)色釉彩基調(diào)為主、繁紋疊彩構(gòu)圖形式呈現(xiàn)的瓷藝新品。元青花與釉里紅等色釉技術(shù)結(jié)合 燒制的青花釉里紅瓷器新類型，為日后明清兩代多姿多彩的彩色瓷創(chuàng)制奠定了堅(jiān)實(shí)的技術(shù)基礎(chǔ)。事實(shí)上，元青花自元代至正年間成熟之日起，已經(jīng)創(chuàng)造了全新的瓷器 審美標(biāo)準(zhǔn)和瓷種類型。青花瓷以湛藍(lán)艷麗的圖案、如玉似珍的釉水、細(xì)膩潔白的胎土和精美奇巧的造型，并以新瓷種類型的姿態(tài)成為后代模仿的典范。
從目前國(guó)內(nèi)外存世的元青花瓷器來(lái)看，其器型和釉水涵蓋了諸如青花釉里紅、藍(lán)地白花、卵白釉等新技術(shù)的應(yīng)用。引進(jìn)國(guó)外富含鈷料的低錳高鐵“蘇麻里青”，也使得元青花的藍(lán)色呈色更為艷麗奪目。元青花的燒造技術(shù)在當(dāng)時(shí)是世界頂尖的高科技，代表了中華文明的一個(gè)新高度。
雖然元代只在中國(guó)歷史上存在了短短的九十多年，但是毋庸置疑，元代瓷器在中國(guó)陶瓷發(fā)展史上占有極其重要的地位，尤其是青花瓷的燒制成功，在中國(guó)制瓷史上是劃時(shí)代的成就，它的出現(xiàn)結(jié)束了宋代陶瓷“清水出芙蓉，天然去雕飾”的審美取向，使傳承百余年的中國(guó)制瓷業(yè)中的刻、劃、印花等傳統(tǒng)裝飾技法迅速被彩繪所取代，彩繪瓷器也成為了市場(chǎng)上的主導(dǎo)產(chǎn)品，搶占了青、白瓷的絕對(duì)統(tǒng)治地位。青花瓷器以其優(yōu)美的色調(diào)和豐富的裝飾紋樣，自十四世紀(jì)創(chuàng)燒以來(lái)就深受古今中外人們的追捧，它是漢族文化、蒙古文化、伊斯蘭文化的完美結(jié)晶，直到今天仍然在繼續(xù)燒制，它是我國(guó)種類繁多的瓷器品類中沿襲時(shí)間最久，產(chǎn)量最大以及最具民族風(fēng)格的一個(gè)品種。
此藏品造型秀美，做工細(xì)膩，潔白而堅(jiān)致，釉面光亮瑩潤(rùn)，純凈無(wú)瑕，白中微閃青，色澤淡雅，達(dá)到了紋飾主賓協(xié)調(diào)，繁而不亂，層次豐厚，構(gòu)圖謹(jǐn)慎，又不失壯美之舉。是一件是不可多得佳品，值得收藏!
On the basis of the Chinese Song porcelain with celadon and white porcelain monochromatic glaze as the mainstream, Yuan blue and white porcelain developed new porcelain art products with blue glaze base tone as the main color and multi-layered color composition. The combination of blue and white glaze and red glaze in the Yuan Dynasty created a new type of blue and white glaze red porcelain that laid a solid technical foundation for the creation of colorful porcelain in the Ming and Qing dynasties. In fact, since the date of maturity between Yuan Dynasty and Zheng Dynasty, Yuan blue and white has created a brand-new aesthetic standard and types of porcelain. Blue-and-white porcelain has bright blue patterns, jade-like glazes, delicate and white ground soil and exquisite shapes, and has become a model for future generations to imitate with the posture of new types of porcelain.
Judging from the Yuan blue and white porcelain surviving at home and abroad, its shape and glaze cover the application of new technologies such as red in blue and white glaze, white flowers on blue ground and egg white glaze. The introduction of the low-manganese and high-speed iron "Su Ma Li Qing", which is rich in cobalt materials from abroad, also makes the blue color of Yuan blue and white more brilliant and eye-catching. The firing technology of Yuan Qinghua was the world's top high-tech at the time, representing a new height of Chinese civilization.
Although the Yuan Dynasty has only existed in Chinese history for more than 90 years, there is no doubt that Yuan Dynasty porcelain occupies an extremely important position in the history of Chinese ceramics, especially the successful firing of blue and white porcelain, which is in the history of Chinese porcelain. An epoch-making achievement, its appearance put an end to the aesthetic orientation of Song Dynasty ceramics, "the hibiscus comes from the clear water, and the natural carving is done". The traditional decoration techniques such as carving, scratching and printing in the Chinese porcelain industry that have been inherited for more than 100 years were quickly replaced by colored painting. , Painted porcelain has also become the leading product on the market, seizing the absolute dominance of blue and white porcelain. Blue and white porcelain with its beautiful tones and rich decorative patterns has been highly sought after by people at home and abroad since its creation in the 14th century. It is the perfect crystallization of Han culture, Mongolian culture, and Islamic culture. It is still being fired today. , It is the one with the longest follow-up time, the largest output and the most ethnic style among the various porcelain categories in China.
This collection is beautiful in shape, exquisite workmanship, white and firm, glaze is shiny and moist, pure and flawless, the white is slightly shining in blue, and the color is light and elegant. Without losing the grandeur. It is a rare piece, worth collecting!
