哥窯為宋代五大名窯之一。哥窯貫耳瓶,海棠花口微外撇，垂腹，圈足，頸部樹兩只直筒形貫耳，中空，釉色瑩潤，猶如凝脂。釉面滋潤肥厚、光瑩勻滑。呈現哥窯雖歷經千百年，光澤依然柔和如新之特征。釉面上布滿了大小不一的“金絲鐵線”紋片，開片自然，錯落有致，縱橫交織如網，層層迭迭，晶瑩透亮。整體造型方正別致，胎骨堅薄，線條流暢，做工精湛，風格硬朗，富有天然韻致，古色古香，盡現酥潤含蓄之美，極具收藏價值。
Ge kiln is one of the five famous kilns in Song Dynasty. Ge Yao Guan ear bottle, Begonia flower mouth slightly outside, hang abdomen, circle foot, neck tree two straight tube shape through ear, hollow, glaze color, like coagulating fat. The glaze is moistening, plump and smooth. Although Ge kiln has gone through thousands of years, its luster is still soft as new. The glaze is covered with different sizes of "gold wire" pattern pieces, open naturally, at random, crisscross, such as network, layer upon layer, crystal clear. The overall shape is square and chic, the fetal bone is hard and thin, the lines are smooth, the workmanship is exquisite, the style is strong, it is full of natural charm, ancient color, full of crisp and implicit beauty, and has great collection value.
宋瓷，中華傳統文化藝術的絕世驚鴻。宋代以儒家禮法理倫思想為核心的理學，不僅為社會提供了強大的精神支柱，更是深遠地影響了時代的審美風氣。宋瓷極致簡潔而又富有詩情畫意，精神充盈，追求單純的釉色與線條之美，是中華文化律動中不可或缺的美妙音符。
Song porcelain, the unique traditional Chinese culture and art. The Neo Confucianism with Confucian ethics as its core not only provided a strong spiritual support for the society, but also profoundly affected the aesthetic atmosphere of the times. Song porcelain is extremely simple, poetic and full of spirit. It pursues the beauty of simple glaze and lines. It is an indispensable beautiful note in the rhythm of Chinese culture.
哥窯為宋代五大名窯之一，其意韻高標，超凡脫俗，深受世人鐘愛。哥窯最早記載于明代陸深的《春風堂隨筆》：“哥窯，淺白斷紋，號百圾碎。宋時有章生一、生二兄弟，皆處州人，主龍泉之琉田窯，生二所陶青器純粹如美玉，為世所貴，即官窯之類，生一所陶者色淡，故名哥窯。”
Ge kiln is one of the five famous kilns in the Song Dynasty. It has high standard of meaning, extraordinary and refined, and is deeply loved by the world. Ge Yao was first recorded in Lu Shen's chunfengtang essay in the Ming Dynasty: "Ge Yao, with its light white broken lines, is No. 100 rubbish pieces. In the Song Dynasty, there were Zhangsheng's first and second brothers, both of whom were from Chuzhou. They were in charge of the LiuTian kiln in Longquan. They produced two potteries, which were pure jade, and were highly valued in the world, that is, the official kilns. If one pottery was born, the color was pale, so it was named Ge kiln. "
哥窯瓷器布滿黃褐、鐵黑色相間的裂紋，即“金絲鐵線”。金絲為細碎開片，呈黃褐色，鐵線為大開片，呈鐵黑色。金絲鐵線是因瓷器在燒造過程中，胎質與釉的膨脹系數不同，出窯后開裂。其釉色含鐵量較高，燒成后邊緣釉薄，隱露胎色而亦呈紫色，底部未掛釉處顯現鐵黑色，故又稱“紫口鐵足”。明代曹昭《格古要論》曾曰：“舊哥窯，色青，濃淡不一，亦有紫口鐵足”。哥瓷工藝精細考究，器形嚴整大氣，釉面腴潤如玉，格調高貴典雅。
Ge kiln porcelain is full of yellow brown and iron black cracks, namely "gold wire". The gold wire is finely sliced, yellowish brown, and the iron wire is large open piece, which is iron black. The reason is that the expansion coefficient of the body and glaze is different in the process of porcelain firing, which leads to the cracking of the wire. The glaze color has a high iron content. After firing, the edge glaze is thin, and the body color is also purple. The bottom part without glaze shows iron black, so it is also called "Purple mouth iron foot". Cao Zhao of Ming Dynasty once said in gegu Yaolun: "the old Ge kiln is green in color, different in shade, and has purple mouth and iron feet.". The craft of Ge porcelain is exquisite and exquisite, the shape of the ware is neat and elegant, the glaze is plump and moist like jade, and the style is noble and elegant.
宋哥窯瓶類器物品種豐富，式樣優美，貫耳瓶即典型之一。貫耳瓶是在漢代投壺制式的基礎上發展演變而來。投壺是我國古代酒筵上宴飲娛樂的一種競技工具，由商周禮射演變而來的酒令形式之一，又因投壺身有雙耳，故又稱為貫耳瓶。
There are many kinds of bottles in the song Ge kiln, and their styles are beautiful. Guan'er vase is one of the typical ones. Guan'er bottle was developed on the basis of throwing pot system in Han Dynasty. Touhu is a kind of competitive tool for entertainment in ancient Chinese wine feast. It is one of the wine making forms evolved from ritual shooting in Shang and Zhou dynasties. It is also called guan'er bottle because it has two ears.
哥窯百圾破，鐵足獨稱珍。哥窯瓷器猶如色彩絢麗光芒四射的夜明珠，在中華瓷器藝術的長廊中，散發其耀眼的光芒。
Geyao hundred garbage broken, iron foot alone called treasure. Ge kiln porcelain is like a bright pearl in the night, which radiates its dazzling light in the corridor of Chinese porcelain art.
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