青銅器在世界各地均有出現，是一種世界性文明的象征。最早的青銅器出現于6000年前的兩河流域。 蘇美爾文明時期雕有獅子形象的大型銅刀是早期青銅器的代表。中國的青銅器主要指4000多年前用銅錫合制的青銅器物，簡稱“銅器”。包括有炊器、食器、酒器、水器、樂器、車馬飾、銅鏡、帶鉤、兵器、工具和度量衡器等,出現并流行于4000年前直到秦漢時代，以商周器物最為精美。青銅器在2000多年前逐漸由鐵器所取代。
Bronze ware has appeared all over the world and is a symbol of world civilization. The earliest bronzes appeared in the two river basins 6000 years ago. Large bronze knives carved with lion images in Sumerian civilization are the representatives of early bronzes. Chinese bronzes mainly refer to bronzes made of copper and tin more than 4,000 years ago. Including cooking utensils, food utensils, wine utensils, water utensils, musical instruments, chariots and horses ornaments, bronze mirrors, hooks, weapons, tools and weights and measures, etc., appeared and prevailed 4000 years ago until Qin and Han Dynasties, with the most exquisite utensils in Shang and Zhou Dynasties. Bronze ware was gradually replaced by iron ware more than 2000 years ago.
西周銅器的早期是商代銅器的繼承發展期。此期雖有若干新的因素，但總體上商代銅器的傳統仍然極為強烈，很難在商周之際劃出截然的界限。具體斷代只能分出商末周初式和西周早期式。西周晚期的重器，厲王時期有簋、鐘、鄭季、簋、攸從鼎、從、散盤、禹鼎、鄂侯馭方鼎、敔簋等，宣王時期有頌鼎、兮甲盤、虢季子白盤、不簋、毛公鼎、南宮乎鐘、師簋等。西周晚期的銅禮器，延續了中期形制和紋飾簡樸化的變化，淘汰了中期保留的早期因素。常見器種有鼎、簋、鬲、簠、壺、尊、盤、匜等,品種明顯減少。鼎除沿用中期的垂腹鼎外,還有圜底鼎,都是獸蹄足。紋飾僅流行波曲紋，重環紋,鱗紋，直線紋，絕少見繁縟的動物紋，即如簋一類的王室重器也是直線紋。銘文多長篇，已知最長的銅器銘文(毛公鼎 497字)即在此期。流于形式的為祖考作器的銘記也很流行。字體筆道圓潤，講究書法之美，但疏放草率的字體也多有發現。
The early period of Western Zhou Dynasty bronze ware is the inheritance and development period of Shang Dynasty bronze ware. Although there are some new factors in this period, on the whole, the tradition of bronze ware in Shang Dynasty is still extremely strong, and it is difficult to draw a clear line between Shang and Zhou Dynasties. Specific dating can only be divided into late Shang Dynasty and early Zhou Dynasty. In the late Western Zhou Dynasty, there were heavy weapons in Liwang period, such as Gui, Zhong, Zheng Ji, Gui, Youcong Ding, Cong, Sanpan, Yuding, Hubei Hou Yu Fang Ding, Qigui, etc. In Xuanwang period, there were Songding, Xijia Plate, Baiji Plate and Bugui The bronze ritual vessels in the late Western Zhou Dynasty continued the simple changes in shape and ornamentation in the middle period and eliminated the early factors retained in the middle period. The common utensils are Ding, Guan, Jian, Zhu, Hu, Zun, Pan, Zhu, etc., and the variety is obviously reduced. Besides the mid-term vertical belly tripod, there are also Wadi Ding, all of which are animal hoofs and feet. The ornamentation is only popular with wavy lines, heavy ring lines, scales and straight lines, but it is rare to see the flourishing animal lines, that is, the royal heavy objects such as barns are also straight lines. There are many long inscriptions, and the longest known bronze inscription (Mao Gongding 497 words) is in this period. It is also very popular to remember Zukao as an instrument in the form. Fonts are round and exquisite in the beauty of calligraphy, but sloppy fonts are often found.
此件西周時期青銅貫耳瓶，直口微撇，圓唇，束頸，圓腹，頸、肩各飾弦紋一周，頸部兩肩配以貫耳。是研究西周晚年政治史的重要史料。紋路十分精致。整體品相保存完好，銅銹色澤自然，歷史研究價值和收藏價值極高。
This Western Zhou Dynasty bronze pierced-ear bottle has a straight mouth slightly skimmed, round lips, tied neck, round belly, and the neck and shoulder are decorated with strings for one week, and the neck shoulders are matched with pierced ears. It is an important historical material for studying the political history in the late Western Zhou Dynasty. The grain is very delicate. The overall appearance is well preserved, with natural color and luster of copper rust, which is of high historical research value and collection value.
青銅器是國之重寶，是身份地位的象征，具有很強的歷史文化價值，其中的銘文作為西周晚期金文的典范之作，表現出上古書法的典型風范和一種理性的審美趨尚，體勢顯示出大篆書體高度成熟的結字風貌，瘦勁修長，不促不懈，儀態萬千。章法縱橫寬松疏朗，錯落有致順乎自然而無做作，呈現出一派天真爛漫的藝術意趣。通過其中文字書寫的完美布局，表現出西周晚期的文字書寫形成了具有純熟書寫技巧和表現手法的形式和規律。青銅器的市場沒有像其他收藏市場一樣因升溫而出現急功近利的投資客，收藏青銅器能更沉靜下心來。青銅器深厚的文化內蘊，從上世紀九十年代初就開始收藏青銅器，如今已達到一定規模，青銅器深厚的歷史、文化價值，其穿越幾千年而來的滄桑感。
Bronze ware is a national treasure, a symbol of status, and has a strong historical and cultural value. As a model work of inscriptions in the late Western Zhou Dynasty, the inscriptions show the typical style of ancient calligraphy and a rational aesthetic trend. The body posture shows the highly mature knot style of Da Zhuan calligraphy, which is thin, slender, unremittingly, and graceful. The composition is loose and graceful, and it is random and natural without affectation, showing a naive artistic interest. Through the perfect layout of writing, it shows that the writing in the late Western Zhou Dynasty formed a form and law with skillful writing skills and expression techniques. Unlike other collection markets, there are no investors who are eager for quick success and instant benefit due to warming up, so collecting bronzes can calm down. Bronze ware has profound cultural connotation. Bronze ware has been collected since the early 1990s, and now it has reached a certain scale. Bronze ware has profound historical and cultural value, and its vicissitudes have come through thousands of years.
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