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距今8000千年前的新時期時代,最早的人們就掌握了制陶技術,特別是到了商代,已經出現了瓷器的雛形。當時已出現一種最早的青釉器,燒紙的溫度可達到1200攝氏度左右,在釉下也刻有各種紋理紋飾,比如雷紋、水波紋、葉脈紋、圓點網紋等等。

In the new era 8,000 years ago, the earliest people mastered the technology of pottery making. Especially in the shang dynasty, the earliest forms of porcelain appeared. At that time already appeared a kind of earliest green glaze ware, the temperature of burning paper can reach 1200 degrees Celsius or so, in the glaze also engraved with a variety of texture decoration, such as thunder grain, water ripple, leaf veins, dot mesh and so on.

直到隋唐時期,南、北方都有了青瓷的燒造,越窯瓷無論從胎釉、紋飾、種類和形制都遠遠超過了以往。其中湖南長沙窯燒成了釉下彩繪的瓷器,開了以后彩瓷的先河。宋代是我國瓷器發展的一個極盛時期,“汝、官、鈞、哥、定”五大名窖異彩紛呈,便形成了“南青北白”的局面,其中最為出名的便是鈞窯瓷器。

Until the sui and tang dynasties, celadon was fired in the south and north, and yue kiln porcelain was far more advanced than before in terms of glaze, decoration, type and shape. Among them, changsha kiln in hunan fired the painted porcelain under the glaze, which became the pioneer of the later colored porcelain. Song dynasty is a period of China's porcelain development, "ru, guan, jun, ge, ding" five famous cellar colorful, then formed the "south green north white" situation, the most famous is jun kiln porcelain.

 

鈞窯,也叫鈞臺窯,它是在柴窯和魯山花瓷的風格基礎上綜合而成的一種獨特風格,因道家思想深刻影響,在宋徽宗時期達到高峰,其工藝技術發揮到極致。無論是呈色和各種紋理的表現,做到窯變可控隨心所欲的表現技術,至今無人能仿造。宋代受到理學的影響,反應在瓷器上就是規整對稱,無論是造型或紋理都遵循這一原則,特別是北宋官造鈞瓷,不管是文房用具或大型祭器都嚴格遵守這一原則。規整對稱,高雅大氣,宮廷氣勢,一絲不茍。其勢沉重古樸,明亮而深沉。鈞窯,作為中國傳統瓷文化正宗,歷史悠久的風格傳承至今。放大鏡觀察,蚯蚓走泥紋,用氣泡一個個串連一體呈立體的爬行狀,青蛙卵紋包裹卵核一摞摞正欲孵化而出。還有牛血紋,血色深紅暗沉殺氣騰騰,莊重威嚴等等,都難以一一敘述。北宋官窯鈞瓷的發色和紋理大小和分布,都難以做到人為控制而恰到好處。

Jun kiln, also known as juntai kiln, is a unique style integrated on the basis of the styles of chai kiln and lushan flower porcelain. It reached its peak in the huizong period of song dynasty due to the profound influence of Taoism. No matter the performance of color and various textures, no one has been able to imitate the performance technology of controllable and arbitrary kiln. Under the influence of neo-confucianism in the song dynasty, it was reflected in the regularity and symmetry of porcelain, which was followed in both shape and texture, especially in the northern song dynasty. Neat symmetry, elegant atmosphere, court momentum, meticulous. Its potential is heavy and simple, bright and deep. Jun kiln, as an authentic traditional Chinese porcelain culture, has a long history of style inheritance. Under a magnifying glass, earthworms walk through the mud grains, forming a three-dimensional crawl with a series of air bubbles. And the veins of bull's blood, the dark red of the blood, the bloodiness of the blood, the dignity of the grave and so on, it is difficult to describe one by one. The hair color, texture size and distribution of jun porcelain in northern song dynasty kiln are difficult to be controlled by human.

鈞窯在其他窯口中最為突出的特點就是其窯口出的瓷器不定性,鈞窯不僅開創了我國窯變釉瓷器的先河,而且鈞窯器物的成型和高超的燒窯技術,一直為后世贊嘆不已,在各大拍賣場,只要出現鈞窯瓷器,都會被買家爭先搶購,早在2013年11月香港佳士得拍賣公司就曾拍賣過一款鈞窯玫瑰紫釉鼓釘三足洗,最終以123萬美金(USD)成交,折合人民幣757萬,此后更是捷報頻出。

In other masterpieces the most outstanding characteristic is its kiln kiln mouth mouth out of porcelain qualitative, pa not only created a precedent of variable glaze porcelain of our country, and implements the molding of masterpieces and kiln technology, has been for posterity with admiration, in each big auction, as long as a porcelain masterpieces, buyers will be rushed to snap up, back in November 2013 at Christie's in Hong Kong auction company has been auctioned before a pa rose violet glaze nail drum washing with three legs, with a final $1.23 million (USD), equivalent to 7.57 million, then better mount.

 

 

 

 

 

由此可見,鈞窯瓷器在拍賣會上越來越搶手,并且其價值更是超過了“汝、官、哥、定”等窯口的其次,稱為瓷器中的“皇帝”。鈞窯瓷器最為突出的一點還是取決于每一件鈞窯都是"獨一無二"的,沒有相同的釉色,沒有相同的款式,更沒有相同的重量。

Thus it can be seen that jun kiln porcelain is more and more popular at auction, and its value is more than "you, officials, brother, ding" and other kiln mouth, called the "emperor" in porcelain. The most outstanding point of jun kiln porcelain is that each piece of jun kiln is "unique", not the same glaze color, not the same style, not the same weight.

此藏品為宋代鈞窯盤。此鈞窯瓷盤釉色圓潤肥厚,通體施以天藍色釉,讓人覺得自然溫馨。圈足露胎,器形規整,是宋代典型器皿。然而鈞窯為五大名窯之一,代表了宋代制瓷工藝的最高水平。此鈞窯為天藍釉,像天空般湛藍,得以引起人們對此的收藏鑒賞之心。鈞瓷自以釉色窯變見長,素有“入窯一色、出窯萬彩”,“鈞瓷無雙”的特點。同樣的釉色,入窯經1350度高溫燒成后,每件瓷器呈色不一樣,并出現人們意想不到的景觀效果和色彩。此藏品實屬不易是宋代瓷器文化至今的延續,具有極高的觀賞價值和投資、收藏價值。

This collection is Jun kiln plate of Song Dynasty. The glaze of Jun kiln porcelain plate is round and plump, and the whole body is covered with sky blue glaze, which makes people feel natural and warm. It is a typical utensil in Song Dynasty. However, Jun kiln is one of the five famous kilns, which represents the highest level of porcelain making technology in Song Dynasty. This Jun kiln is made of sky blue glaze, which is as blue as the sky, which can arouse people's interest in collecting and appreciating it. Jun porcelain is famous for its glaze color, which has the characteristics of "one color in the kiln, ten thousand colors in the kiln" and "unparalleled Jun porcelain". With the same glaze color, after being fired at 1350 ℃ in the kiln, each piece of porcelain presents different colors, and there are unexpected landscape effects and colors. This collection is not easy, is the continuation of the Song Dynasty porcelain culture, has a high ornamental value and investment, collection value.

 

 

 

 

 

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