【勇?lián)鷩?guó)際傳播使命講好中國(guó)故事】—

提升國(guó)際傳播能力建設(shè)也就是在國(guó)際上以中國(guó)特色社會(huì)主義話(huà)語(yǔ)體系講述中國(guó)故事、傳播中國(guó)聲音、展示中國(guó)形象，并在中國(guó)—時(shí)代—世界的多維視域中做立體式的話(huà)語(yǔ)表達(dá)與文化傳播。推動(dòng)中國(guó)特色社會(huì)主義文化國(guó)際傳播，可為世界人民謀和平、謀發(fā)展、謀幸福提供源源不斷的精神動(dòng)力，為全世界貢獻(xiàn)中國(guó)智慧、提出中國(guó)方案。國(guó)際傳播能力建設(shè)是新時(shí)代中國(guó)特色社會(huì)主義思想的重要組成部分，是意義重大、影響深遠(yuǎn)的系統(tǒng)工程。為了提升新時(shí)代文化國(guó)際傳播能力，我們亟須聚焦時(shí)代要求、彰顯中國(guó)特色、拓展傳播載體、展現(xiàn)世界意義，更好地使中國(guó)特色社會(huì)主義文化走向世界、融入世界，并引領(lǐng)世界在新時(shí)代的新征程上闊步向前。

To improve the construction of international communication capacity is to tell Chinese stories, spread Chinese voice and display Chinese image in the international discourse system of socialism with Chinese characteristics, and do three-dimensional discourse expression and cultural communication in the multi-dimensional perspective of China, the times and the world. Promoting the international dissemination of socialist culture with Chinese characteristics can provide a steady stream of spiritual power for the people of the world to seek peace, development and happiness, contribute Chinese wisdom and put forward Chinese plans for the world. The construction of international communication capacity is an important part of the thought of socialism with Chinese characteristics in the new era. It is a systematic project of great significance and far-reaching influence. In order to improve the international communication ability of culture in the new era, it is urgent for us to on the requirements of the times, highlight Chinese characteristics, expand communication carriers and show world significance, so as to better make the socialist culture with Chinese characteristics go to the world and integrate into the world, and lead the world to stride forward on the new journey of the new era.

王孝誠(chéng)，字一山，齋號(hào)亦然舍。中國(guó)工藝美術(shù)大師、國(guó)畫(huà)家、世界華人藝術(shù)家協(xié)會(huì)理事、世界文化藝術(shù)研究中心研究員、中國(guó)民間藝術(shù)家協(xié)會(huì)內(nèi)畫(huà)藝術(shù)委員會(huì)副主任、中國(guó)工藝美術(shù)學(xué)會(huì)會(huì)員、山東書(shū)法家協(xié)會(huì)會(huì)員、山東工藝美術(shù)協(xié)會(huì)內(nèi)畫(huà)專(zhuān)業(yè)委員會(huì)主任，山東工藝美院兼職教授、青島大學(xué)美術(shù)學(xué)院兼職教授。

Wang Xiaocheng, the word Yishan, Zhai is also a house. Master of Chinese arts and crafts, Chinese painter, director of World Chinese Artists Association, researcher of world culture and art research center, deputy director of interior painting art committee of China Folk Artists Association, member of China Arts and Crafts Society, member of Shandong Calligrapher Association, director of interior painting professional committee of Shandong Arts and crafts Association, part-time professor of Shandong Academy of Arts and crafts Adjunct professor, School of fine arts, Qingdao University.

開(kāi)元豪，四尺斗方

1945年生于博山，1958年經(jīng)考試進(jìn)入博山美術(shù)琉璃廠(chǎng)內(nèi)畫(huà)組跟張文堂、薛京萬(wàn)老藝人學(xué)習(xí)內(nèi)畫(huà)。1975年調(diào)干就學(xué)，畢業(yè)于浙江美術(shù)學(xué)院。

1961年改革百年相傳的內(nèi)畫(huà)竹畫(huà)筆為內(nèi)畫(huà)狼毫筆, 為中國(guó)內(nèi)畫(huà)發(fā)展作出了巨大貢獻(xiàn)。1971年首創(chuàng)《水滸一百單八將》特細(xì)內(nèi)畫(huà)畫(huà)面, 在廣交會(huì)引起轟動(dòng)。

Born in Boshan in 1945, he entered the inner painting group of Boshan art Liulichang after examination in 1958 and studied inner painting with old artists Zhang Wentang and Xue jingwan. He was transferred to school in 1975 and graduated from Zhejiang Academy of fine arts.

The bamboo brush for interior painting, which has been handed down for a hundred years since the reform in 1961, is a wolf hair brush for interior painting, which has made great contributions to the development of Chinese interior painting. In 1971, he first created the super fine interior painting of "one hundred single Eight Generals of the Water Margin", which caused a sensation in the Canton Fair.

好雨知時(shí)節(jié)，潤(rùn)物細(xì)無(wú)聲，四尺斗方

在浙美求學(xué)期間深得吳弗之、陸抑非、王伯敏等先生的賞識(shí)。國(guó)畫(huà)作品多次獲省市優(yōu)秀創(chuàng)作獎(jiǎng)。所創(chuàng)作的《和諧歸》、《醉梅林》獲首屆世界華人藝術(shù)展佳作獎(jiǎng)和第六界世界華人藝術(shù)大展國(guó)際優(yōu)秀獎(jiǎng)。曾與他人合作舉辦八人書(shū)畫(huà)展、黃山寫(xiě)生展和個(gè)人中國(guó)畫(huà)作品展。1991年赴日舉辦個(gè)人藝術(shù)作品展。

作品與業(yè)績(jī)?cè)弧吨袊?guó)藝術(shù)界名人錄》、《中國(guó)工藝美術(shù)名人藝術(shù)大辭典》、《中華翰墨名家作品博覽》、《世界華人藝術(shù)精品典藏》、《中國(guó)書(shū)畫(huà)藝術(shù)作品集》、《中國(guó)當(dāng)代書(shū)畫(huà)家翰墨精品集》、《走近當(dāng)代大師》等收錄。

人民日?qǐng)?bào)出版社曾編輯出版?zhèn)€人國(guó)畫(huà)集。2004和2005年所創(chuàng)作的內(nèi)畫(huà)作品《蘭亭契吟圖》和《賞花大觀(guān)園》禪聯(lián)第五屆、第六屆中國(guó)工藝美術(shù)大師作品及工藝美術(shù)精品博覽會(huì)金獎(jiǎng)。內(nèi)畫(huà)作品《想望》被中國(guó)國(guó)家博物館收藏，成為建國(guó)以來(lái)館藏內(nèi)畫(huà)第一人。2007和2008年第八屆、第九屆中國(guó)工藝美術(shù)大師作品及中國(guó)工藝美術(shù)精品博覽會(huì)評(píng)委、第六屆中國(guó)工藝美術(shù)大師評(píng)委。

畫(huà)家的最高境界是什么？當(dāng)然就是著名畫(huà)家王孝誠(chéng)的師法自然的修養(yǎng)境界。他畫(huà)松柳成趣雅，畫(huà)山水制奇韻，一支畫(huà)筆構(gòu)骨而立質(zhì)，沒(méi)骨成精彩，在長(zhǎng)年的丹青藝術(shù)修煉進(jìn)程中，王孝誠(chéng)已經(jīng)得自然之涵養(yǎng)，達(dá)到了筆墨心通，一氣呵成精彩的丹青水準(zhǔn)。王孝誠(chéng)的丹青視野非常廣泛，于自然之境隨擷一物，皆可入畫(huà)框而成定格精品。其中又極善畫(huà)多枝植物和肥葉塘荷，也極善文人山水構(gòu)繪。他用堅(jiān)實(shí)的工藝美術(shù)功底，合成自己豐富的寫(xiě)生積淀，繪制丹青，藝術(shù)美與裝飾美通成一體，自成一派，打上了非常個(gè)性化的藝術(shù)標(biāo)簽，有新派開(kāi)宗的丹青造詣。

During his study in zhemei, he was deeply appreciated by Mr. Wu Fuzhi, Lu Yifei, Wang Bomin, etc. Chinese painting works have won provincial and municipal excellent creation awards for many times. His "return to harmony" and "drunk Merlin" won the excellent work award of the first World Chinese art exhibition and the international excellence award of the sixth World Chinese art exhibition. He has cooperated with others to hold eight person calligraphy and painting exhibition, Huangshan sketch exhibition and personal Chinese painting exhibition. In 1991, he went to Japan to hold a personal art exhibition.

His works and achievements have been included in the list of celebrities in Chinese art circles, the dictionary of Chinese arts and crafts celebrities, the exhibition of works of Chinese calligraphy masters, the collection of World Chinese art works, the collection of Chinese calligraphy and painting works, the collection of calligraphy and painting works of Chinese contemporary calligraphers and painters, approaching contemporary masters, etc.

People's Daily Publishing House has edited and published his own collection of traditional Chinese paintings. The gold medal of the 5th and 6th China Arts and Crafts Master works and arts and crafts boutique Expo of the Zen Federation of the inner painting works "Orchid Pavilion Qiyin picture" and "flower appreciation Grand View Garden" created in 2004 and 2005. The interior painting "wish" was collected by the National Museum of China and became the first person in the collection of interior painting since the founding of the people's Republic of China. Judges of the 8th and 9th China Arts and crafts masters' works and China Arts and crafts boutique Expo in 2007 and 2008, and judges of the 6th China Arts and crafts masters.

What is the highest state of a painter? Of course, it is the cultivation realm of learning from nature by the famous painter Wang Xiaocheng. His paintings of pines and willows become interesting and elegant, and his paintings of mountains and rivers make strange rhymes. A brush constructs bones and stands quality, and no bones become wonderful. In the long process of painting art cultivation, Wang Xiaocheng has been naturally cultivated, reaching the level of pen and ink heart communication and wonderful painting at one go. Wang Xiaocheng's painting has a wide range of vision. He can capture one object in the natural environment, which can be put into the picture frame to form a freeze frame boutique. Among them, he is also very good at painting MULTI BRANCHED plants and fat leaf pond lotus, as well as literati landscape painting. With a solid foundation in Arts and crafts, he synthesized his rich accumulation of sketching and painted Danqing. The artistic beauty and decorative beauty are integrated into one, forming a school of his own. He has a very personalized artistic label and has the attainments of Danqing, the founder of the new school.

民族魂，四尺豎整幅

王孝誠(chéng)繪畫(huà)，善施精至繁筆，意境舒闊，筆法卻相當(dāng)致密。看繪畫(huà)品質(zhì)，首看筆法之工，大師齊白石、李可染、關(guān)山月，雖然皆是寫(xiě)意大師，但是寫(xiě)意的另一面卻是精工巨匠。特別是齊白石工筆小蟬，謂之絕技。王孝誠(chéng)山水和植繪作品，亦顯繁筆精工，造型精確，質(zhì)成活性，他的丹青筆法一是不自欺，二是不欺人，三是不欺世，一路傳承大師明示，趨成大師新功，可謂是朝起而學(xué)，暮研不止，筆耕無(wú)輟，筆技如癡。

王孝誠(chéng)植物繪品，不取一枝一葉，不畏繁雜，取大而全，有整體構(gòu)制，成大統(tǒng)境界，所以可以通過(guò)他的一幅作品整觀(guān)春秋，而不是一枝一葉的單薄與乏味。別人制一幅畫(huà)，眨眼可成，虛功太多的原因。王孝誠(chéng)繪一幅作品，數(shù)月精工，實(shí)功歷歷，一目了然，所以他的繪畫(huà)作品通常是枝、葉、干，天、地、氣的所有，不是單音符，而是合奏曲。情動(dòng)人，景宜人，仰而一觀(guān)，十分悅目，相當(dāng)動(dòng)心。他的植繪作品，皆可成畫(huà)譜之功。照王孝誠(chéng)植繪作品修丹青，事半功倍，佳績(jī)可成。功高為師，造詣可敬。

他的山水，不酬酢無(wú)俗質(zhì)，在師傳統(tǒng)復(fù)古韻的前提下，又絕不獨(dú)落前技巢臼，山水創(chuàng)作時(shí)能破舊范出新奇，是丹青緊隨時(shí)代，破求得新意的典范。他畫(huà)山水，不閉門(mén)造車(chē)，而是親歷山水，有收盡奇峰打草稿的寫(xiě)生積淀，所以山水之姿，在他的畫(huà)面里仍舊是自然真味。

山水之功，源成自然，再加上他善用皴筆點(diǎn)染，遠(yuǎn)點(diǎn)近皴，巧妙顧映，萬(wàn)般調(diào)整，一幅山水，必得意象神采，借助純熟的技法，抒發(fā)豪邁情懷就如順?biāo)橈L(fēng)駕輕舟，快意到達(dá)，極致入神。

同樣，依扎實(shí)的工藝思謀，他的山水作品也盡得精工質(zhì)成。落墨行筆，如踏薄冰，小心謹(jǐn)慎，不讓一處有疏忽，不留一處有漏洞。大膽驅(qū)墨向前，細(xì)心收拾隨后，敢于造險(xiǎn)再平險(xiǎn)，一絲不茍，精益求精，造就了他的山水近看可觀(guān)筆墨，遠(yuǎn)賞涌現(xiàn)氣勢(shì)的高端品味，獨(dú)有結(jié)實(shí)大氣，層次分明，張力十足，墨萬(wàn)化的山水質(zhì)韻，令人回味無(wú)窮，久觀(guān)不厭。

師法自然意境精彩，丹青技熟實(shí)力一派。王孝誠(chéng)繪畫(huà)，立意清新，筆法精致，墨隨時(shí)代，技無(wú)影畫(huà)有言，點(diǎn)、線(xiàn)、面、水、墨、彩，六樣簡(jiǎn)單卻被王孝誠(chéng)調(diào)度成千變?nèi)f化，深刻體現(xiàn)了他作為一名畫(huà)家的技熟力度。大家必依實(shí)力，王孝誠(chéng)績(jī)鑄實(shí)力，修成大家風(fēng)范，令人贊嘆。

著名書(shū)畫(huà)評(píng)論家　劉振華　２０１８年６月１5日

Wang Xiaocheng is good at painting. He is good at using fine and complex strokes. His artistic conception is broad, but his strokes are quite dense. Looking at the quality of painting, the first thing to look at is the craftsmanship of brushwork. Although Qi Baishi, Li Keran and Guan Shanyue are all freehand masters, the other side of freehand brushwork is a master of Seiko. In particular, Qi Baishi's meticulous small cicada is called a unique skill. Wang Xiaocheng's landscape and plant painting works also show numerous and exquisite strokes, accurate modeling and active quality. His Danqing brushwork is not self deceptive, not deceptive, and not deceptive to the world. He inherits the master's express all the way and tends to become the master's new skills. It can be said that he learns from the morning, studies more and more in the evening, does not stop writing, and his brushwork is crazy.

Wang Xiaocheng's plant paintings do not take one branch and one leaf, are not afraid of complexity, take large and complete, have an overall structure, and form a unified realm. Therefore, we can view the spring and Autumn period through one of his works, rather than the thin and boring of one branch and one leaf. If someone makes a painting, it can be done in the blink of an eye. There are too many reasons for virtual work. Wang Xiaocheng painted a work, which was exquisite for several months, and his actual achievements were clear at a glance. Therefore, his paintings are usually all branches, leaves, stems, heaven, earth and Qi, not a single note, but an ensemble. The feeling is moving and the scenery is pleasant. Looking up, it is very pleasing to the eyes and very moving. All his planting and painting works can be made into painting scores. According to Wang Xiaocheng's painting works, you can get twice the result with half the effort. He is a teacher with high achievements and respectable attainments.

His landscape is not friendly and vulgar. On the premise of traditional retro rhyme, he never falls behind the technical nest mortar alone. His landscape creation can be worn and novel. It is a model for Danqing to follow the times and seek new ideas. He did not paint landscapes behind closed doors, but experienced them personally. He had a sketch accumulation of collecting all the strange peaks and drafts. Therefore, the posture of mountains and rivers was still natural in his picture.

The skill of mountains and rivers comes from nature. In addition, he is good at using Cun pen to dye, far and near Cun, skillfully take care of reflection and adjust in all ways. A picture of mountains and rivers must have an image and look. With the help of skilled techniques, he expresses his heroic feelings, just like riding a boat with the water and the wind, reaching it happily and reaching the ultimate ecstasy.

Similarly, his landscape works are also refined with solid craftsmanship. Ink strokes, such as stepping on thin ice, should be careful not to let one place have negligence and leave no loopholes. He boldly drives the ink forward, carefully cleans up and then dares to make risks and then flatten the risks. He is meticulous and keeps improving, which has created his landscape. He can see considerable pen and ink near and appreciate the high-end taste of emerging momentum far away. He has a unique strong atmosphere, clear layers and full tension. The landscape quality charm of ink is memorable and never tire of looking at it for a long time.

Learn from nature, have wonderful artistic conception, be familiar with Danqing technology, and have great strength. Wang Xiaocheng's painting has a fresh intention and exquisite brushwork. The ink has no shadow with the times. There are words in painting. Six simple points, lines, surfaces, water, ink and colors are regulated by Wang Xiaocheng, which deeply reflects his technical proficiency as a painter. We must build strength according to the achievements of Wang Xiaocheng, and cultivate a great family style, which is amazing.

Famous painting and calligraphy critic Liu Zhenhua June 15, 2018